Hunchback of Notre Dame

Choreography Style / Approach


This show presents a unique opportunity for movement through traditional musical theatre choreography, world dance, and storytelling expressed through motion. To dive deeper into Victor Hugo's story, we explored the era in greater detail, including the common customs (Roma, citizens of Paris, leaders of the church, and soldiers) as well as traditional dances that were popular during that period. Drawing on elements of traditional Romani dance (fluid hand movements, hips and shoulder isolations, turns, complex tapping and patting, and the use of silks) and musical theatre elements (stage combat, partnering, ballet), we are drawn into scenes unfolding in real-time. When in storytelling mode, you will notice the congregants' body language change, and their movement (body placement, crossovers, flocking, tableau) synchronize as if one entity to set the stage for the story being told. Although mostly stationary, even the choir stands and sits at specific times with intent.


Hunchback of Notre Dame


Venue / Company

Opera House Players, CT


Year

2022 and 2023


Role

Choreographer


Cast Description

15 Adult Actors, 15 Choir Members, 4 Child Actors; Community Theatre

Choreographed Numbers


  • Bells of Notre Dame
  • Topsy Turvey (Pt.1)
  • Rest and Recreation
  • Rhythm of the Tambourine
  • Topsy Turvey (Pt.2)
  • Tavern Song
  • Hellfire
  • The Court of Miracles
  • Justice in Paris
  • Finale
  • (Supported movement in all scenes and transitions)

Challenges / Innovations / Notable Moments


  • Deceptively Demanding Movement: Hunchback has a sneaky number of dance-heavy sequences. Our acting ensemble rose to the challenge and handled both the technical and cardio demands with precision. Numbers like “Topsy Turvy” and scenes in the tavern and public square were richly layered and full of nuanced physical storytelling.
  • The Human Wall: To create the illusion of villagers storming Notre Dame, we built a moving “wall” of people that seamlessly dissolved and reformed on the other side of the stage. It became a living, breathing obstacle that enhanced the urgency of the moment.
  • Director's Approach: The Director of this production considered me and our musical director to be equal partners. This was the most collaborative piece of theatre I have ever had the privilege of working on.
  • The Fire Sequence: This moment was a visual highlight. We used red and orange swing flags to simulate raging flames, paired with an 80-foot piece of red silk that poured from the caldron, rolled across the stage, and extended through the audience. It turned the entire theater into a world engulfed in fire — the effect was electric.
  • COVID-19 Reschedule: Our original cast was unable to perform the show because of COVID-19. After learning all of Act 1, we needed to halt production and move to the following year. This required several recasting situations; however, we ended up with a beautiful Hunchback 2.0. 

Video Highlights


con·tact

Contact Us